Ali Xeeshan Theatre Studio has never been accused of being boring, and his latest showcase at LAAM Fashion Week certainly lived up to his reputation for the avant-garde. However, his collection, titled Maqsad, left many in the audience wondering if the “purpose” was lost in translation.
While the show was intended to be a retrospective of the designer’s life and career, the storytelling felt more like a cryptic puzzle than a clear narrative. The runway was a whirlwind of:
- Surrealist Statements: Jackets featuring blinking artificial candles and feathered plumes.
- Experimental Silhouettes: Hybrid “shalwar-shorts” and crinoline-style dresses from the early 19th century.
- Curious Motifs: An abundance of embellished owls and throws embroidered with resort names.
The Wedding-Wear Saving Grace
Amidst the “confusing costumery,” Xeeshan’s signature bridal aesthetic offered a breath of fresh air. His mastery of color and “bling” remains undisputed, with peach and silver and ivory and gold ensembles standing out as the highlights of the night. These pieces resonated with the designer’s core clientele, showcasing the “hit” factor he is known for.
The Verdict
As a senior designer, expectations for Xeeshan are high. While his “out of the box” thinking is vital for the industry, this particular lineup lacked the technical finesse and cohesion expected of his stature. Without a clear press release or thematic guide, the symbolism felt disconnected, leaving the audience to solve a mystery rather than admire a collection.
We love the theater, Ali, but a little more clarity would make the magic much easier to follow.
